In this eclectic mix of short stories set in the Salinas Valley, Steinbeck explores the biting sadness of loss, the yearning desire for freedom, the aggravating feeling of loneliness, the anxiety of flight, the perverseness of malice, the pleasures of warmth, and the merit in honor. Flowing together beautifully, fourteen stories mark the pages of Steinbeck's The Long Valley. Highlights include “The White Quail”, in which Mrs. Teller struggles with self-expression through her immaculate garden; “Flight”, in which Pepé realizes the weight of manhood; and “The Red Pony”, in which Jody encounters loss and Billy wrestles with vow.
Wednesday, February 3, 2010
More on Twain
Books by Mark Twain that I have read:
- A Connecticut Yankee in King Arthur's Court
- Adventures of Huckleberry Finn
I plan to read:
- Roughing It
Monday, February 1, 2010
Monday, January 18, 2010
The White Quail Trailer
Mary Teller is no ordinary woman living in Salinas Valley . She has the most admirable garden of any women in town. Indeed, her whole life she has spent creating her garden. She has dreamed of it. She has planned it all in advance. She has even married for it. But, is there something more unusual about her?
Watch as Mrs. Teller suffers from severe Obsessive Compulsive Disorder and Schizophrenia. See her grow farther away from her poor husband as she spends hours and hours each day in her garden. And then! she spots
The White Quail
As this eerie tale of self-personification in extraneous objects continues, watch as Mrs. Teller continues to obsess over her garden and the mysterious bird. And she hasn’t yet found out what her husband has in store for the
The White Quail
From the same director that brought you Steinbeck’s The Snake and Flight, this summer’s blockbuster hit is
The White Quail
Starring Meryl Streep as Mary Teller and Liam Neeson as Harry Teller,
The White Quail
is coming to theaters June 31st, 2010 .
Thursday, December 17, 2009
Second Quarter Reading
For my second outside reading book, I have chosen The Long Valley, a collection of short stories by John Steinbeck. I chose this book because I like John Steinbeck as an author and because I thought that short stories would be more fun to read than a novel. Other books by Steinbeck that I liked are The Pastures of Heaven, Of Mice and Men, Cannery Row, The Log from the Sea of Cortez, and The Winter of Our Discontent.
Wednesday, November 11, 2009
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Works Cited:
Ethan "erber". Animals Rule. N.p., n.d. Web. 11 Nov. 2009. .
Getty Images. gettyimages. N.p., n.d. Web. 11 Nov. 2009. .
Maine CDC. Maine.gov. N.p., n.d. Web. 11 Nov. 2009. .
War Chancellor, Nachttoter. †Bl00D† Clan. N.p., n.d. Web. 11 Nov. 2009. .
Sunday, November 1, 2009
The Writerly Voice of Joseph Heller
Joseph Heller's voice in Catch-22 is satirical and comical. For example, in chapter 11 he writes, "The more loyalty oaths a person signed, the more loyal he was; to Captain Black it was as simple as that, and he had Corporal Kolodny sign hundreds with his name each day so that he could always probe he was more loyal than anyone else"(113). No person would ever think that they could prove themselves more loyal than someone else by signing hundreds of loyalty oaths and no one would actually sign hundreds of loyalty oaths either. People do sign loyalty oaths, but do they really mean anything? Does signing your name on a piece of paper prevent you in any way from acting against what you just signed? Joseph Heller is making fun of the idea that a signature has the power to keep someone loyal. His satirical voice comes out when he suggests with hyperbole that someone would sign hundreds of pieces of paper, and he uses it to criticize society's naïveté in thinking that a name of a piece of paper has any real power.
Heller's voice is not only satirical, but colloquial as well. His liberal use of commas and semicolons in the text demonstrates how he writes the way that people speak. Especially in dialog, the colloquial voice he uses is educated, yet familiar. It is evocative of the type of person who would use proper grammar, so someone who is older than a teenager, but someone who speaks with a modern tongue. The colloquial yet educated qualities of Heller's voice integrate well with the military atmosphere of his novel to create a consistent and appealing world.
Heller rarely breaks out of his satirical voice, even when making a serious comment on society such as when he writes, "Yossarian, on the other hand, knew exactly who Mudd was. Mudd was the unknown soldier who had never had a chance, for that was the only thing anyone ever did know about all the unknown soldiers—they never had a chance. They had to be dead"(108). Even when discussing seriously how society sweeps the unfortunate under the rug, Heller has a satirical voice. The name "Mudd" when turned phonetically backward is "dumb". In this passage it represents how society looks down on the unfortunate as poor saps, blaming them as responsible for their own situations, when in reality people don't want to admit that those "Mudd"s could be them; other than not looking at them, people find false difference between themselves and the unfortunate in order to convince themselves that they will never end up with no money, no teeth, or dead. Heller's satirical tone is thusly very effective, allowing him to discuss serious topics with an audience that might otherwise stay away from thicker books.
Heller's voice is not only satirical, but colloquial as well. His liberal use of commas and semicolons in the text demonstrates how he writes the way that people speak. Especially in dialog, the colloquial voice he uses is educated, yet familiar. It is evocative of the type of person who would use proper grammar, so someone who is older than a teenager, but someone who speaks with a modern tongue. The colloquial yet educated qualities of Heller's voice integrate well with the military atmosphere of his novel to create a consistent and appealing world.
Heller rarely breaks out of his satirical voice, even when making a serious comment on society such as when he writes, "Yossarian, on the other hand, knew exactly who Mudd was. Mudd was the unknown soldier who had never had a chance, for that was the only thing anyone ever did know about all the unknown soldiers—they never had a chance. They had to be dead"(108). Even when discussing seriously how society sweeps the unfortunate under the rug, Heller has a satirical voice. The name "Mudd" when turned phonetically backward is "dumb". In this passage it represents how society looks down on the unfortunate as poor saps, blaming them as responsible for their own situations, when in reality people don't want to admit that those "Mudd"s could be them; other than not looking at them, people find false difference between themselves and the unfortunate in order to convince themselves that they will never end up with no money, no teeth, or dead. Heller's satirical tone is thusly very effective, allowing him to discuss serious topics with an audience that might otherwise stay away from thicker books.
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